This work is methodologically based on primary and secondary sources, the author focusses his findings on many of the unexplored dimensions of Indian Cinema at one hand and cine-observer's views on the other. A Pioneering work, besides a befitting introduction and conclusion, covers details on the history of Indian Cinema and its typology, pythological dimensions of films, Government's policies and involment, audience's view point, socio-cultural realities that the films riflect, new wave and regional films, impact on Indian films on Indian society.
